"Color is a power which directly influences the soul."

Materials and Brands

We educate our clients about basics of art and materials before they purchase from us.

In our daily lives, we talk a lot about ‘quality' of almost everything - be it a gadget, appliance, raw material, clothing, food etc. Every person seems to have his own idea of quality. It is difficult to agree on a single definition of quality, yet we can define different dimensions or parameters against which quality of anyhing is measured. Our quality speaks in itself about reliability, usability, ease of use, value for money and fit for purpose.

On clients demand best brands are availaible on Canvas, a woven material used for centuries for painting which is usually made of cotton or linen and can be stretched over strong wooden stretcher bars, glued onto a board or panel or used unstretched. Although acrylic can be painted on raw canvas, most artists prime the cloth with a ground that allows control over the absorbency, texture an d color of teh surface.

Masterpiece Artist Canvas.
Winsor & Newton Canvas.
Daveliou Canvas.
Art Alternatives Canvas Super Pack.
Arteza Economy Canvas.
Artlicious Canvas.
U.S. Art Supply Canvas.
Fredrix Canvas.
Winsor & Newton.
VanGogh.
Gamblin 1980.
Bob Ross.
Williamsburg.
Sennelier.
Blockx.
Michael Harding.

INDIAN BRANDS
SKY HAWK
ROY
FINE ART
CANVASIFY
CAMILIN

Colours and Brands
Winsor & Newton's Winsor Oil Colour is the brand's student grade oil paint. They are priced well for the amount of pigment and also make a great choice if you need a high volume of color. Winsor Oil Colours are known for how mixable they are, and they're a nice introduction to oils if you are switching from acrylics. They will provide you with a nice range of colors for most projects—from cadmium red deep hue and french ultramarine to burnt sienna and titanium white. They also have a fast drying time of 2 to 7 days.

Gamblin is an American paint manufacturer known for its high-quality oils with a focus on safety. For instance, they don't use lead in their white and have a line of solvent-free mediums, which makes it safer to work in the studio.

Bob Ross Oil Paints : They're also a great mid-price oil paint option. The pigment load isn't as high as some other artist grade paints, but they are priced well. And, of course, the consistency is perfect for Ross' wet-on-wet technique.

Williamsburg Oil : With its thick, gritty consistency and extremely high pigment load, many professional artists swear by Williamsburg. Started by a painter based in Brooklyn in the 1980s, the company was bought by Golden in 2009, but the quality has remained high. Though costly, Williamsburg oil paints are well worth it for their quality of color. As one reviewer notes, "When you want to be able to see expressive brush strokes, it really helps to use one of the best."

Sennelier : It has been in operation since 1887 and prides itself on being the paint of choice for artists like Cezanne, Matisse, and Picasso. Sennelier oil paints are made with safflower oil rather than linseed, which gives a satin finish and prevents yellowing. It also increases the drying time slightly. There are 144 colors in the range,

Blockx : A top tier oil paint at top-tier prices, Blockx has been manufactured in Belgium since 1865. Hand grinding pigments on stone mills, Blockx paints are known for their buttery consistency and are guaranteed to be perfectly lightfast. Iron oxides, earths, and blacks are made with linseed, while all others are combined with poppy oil to prevent yellowing.

Michael Harding : This British brand was developed by an artist in London, with the premium prices reflecting the high pigment load that provides intense color. The good news is, the lack of fillers means that a tube goes a long way. They also mean that the paint shouldn't flake or crack over time. If you want to dip your toe in the water, try out these colours. And you may never turn back.

Schmincke Mussini : These oil paints use a highly traditional resin and linseed oil combination which is said to dry more evenly and prevent wrinkling. They also have a nice range of transparent and semi-transparent colors, which is wonderful for artists who work in glazes.

Old Holland : One of the most reliable names in oil paint, Old Holland has been around since 1667 and prides itself on carrying on the heritage of great Dutch masters like Rembrandt and Vermeer. Like Blockx, all their pigments are ground with a stone, which is a big part of the reason for the heavy price tag for these pigment-rich paints. Thick and stiff, the saturation of color is unparalleled.

OIL MEDIUMS USED BY OUR TEAM

Walnut oil : "Remains glassy, glossy, and hard-wearing over time, lending colors excellent saturation and depth" and "dries a little faster than poppy oil (3-4 days)."

Purified Linseed Oil : Reduces the consistency of oil colour and slows down drying time. In its raw state, it gives colour a high gloss. Diluted 50/50 with turpentine or low-odour thinners, it creates an excellent medium for most types of painting.

Painting Medium : An ideal all-purpose painting medium made of Linseed Stand Oil, White Spirit and Oil of Spike Lavender, which dries to a tough elastic film. Easy to handle, it's a perfect oil painting medium for fine artist, and creates an excellent glaze.

Purified Poppy Oil : A clear oil medium to mix with and reduce light colours. Less inclined to yellow than Linseed Oil, but slower drying. Enhances gloss and flow, but too high a proportion prevents the colour from thorough drying.

Linseed Stand Oil : Reduces the consistency of oil colours and enhances flow. It is viscous and dries slowly to a tough elastic film. Faster drying than pure Linseed Oil. Reduces brush marks.

Alkyd Flow Medium : Slightly thinner than Alkyd Gel, it increases the transparency and flow of oil colour, allowing paint to be brushed out more smoothly. Reduces drying time

Alkyd White : A quick-drying tube colour, which mixes freely with oil colour. Used like traditional oil colour titanium whites, it is especially useful for underpainting and final highlights in portrait work.

Alkyd Gel Medium : Reduces the drying time of oil colours by up to 50%. Has minimal effect on working consistency of the paint, and produces a very durable glaze.

OIL VARNISHES

Retouching Varnish : This versatile varnish is used to bring back the original paint quality of dry or dull oil. Retouching Varnish is reduced with solvents and is much thinner than final top coat varnishes.

Artists' Clear Picture Varnish : A removable picture varnish for a clear even gloss, which will not yellow or bloom. May be used on both oil and acrylic painting.

Artists' Clear Picture Varnish Aerosol CFC free : A removable picture varnish for a clear even gloss, which will not yellow or bloom. When applied lightly by aerosol it makes an excellent Retouching Varnish. May be used on both oil and acrylic painting.

Damar Varnish : A removable picture varnish. Will give a low gloss when applied thinly. Damar dries hard and clear within a few hours.

Matt Varnish : A removable varnish that dries to a matt finish. It can be mixed with Artist's Clear Picture Varnish to give a range of semi-gloss surfaces. It is non-yellowing. Removable with turpentine or white spirit, and can be used to varnish oils or acrylics.

Oil Brushes : Our oil brush ranges have been carefully selected to provide artists of all abilities with the most comprehensive choice of shapes and sizes.

High-quality Brushes : Are the most important tools of an artists'gallery trade. Their design and manufacture demands precision, patience and skill.

Rounds are the perfect brushes for touching in small areas, fine detailing and applying well-thinned colour.

Short Flats or Brights with their stiffer bristles are the perfect choice for applying thick paint, heavy impasto work and short strokes.

Filberts curve gently to a point, allowing easy control of the brush head. Great for softening edges and making strong, tapered strokes.

Fan Blenders have an attractive fan-shaped head used for subtle blending of colour, distant trees and foliage.

Bristlewhite Oil Brushes : Bristlewhite Hog Brushes are pure hog bristle brushes which can be instantly recognised by their white-tipped blue handle. The Bristlewhite brush is outstanding value for money; the finest quality Chungking hog bristle is chosen for Bristlewhite brushes, which are noted for their resilience and durability.

In keeping with all good hog brushes, it is the natural shade of the hair, dressed by hand, using interlocked construction, which helps to retain the shape allowing perfect control for both the firm strokes and the delicate touches.

Series B12 Filbert Code 207 912 ...
Broader than ‘rounds', curving gently towards a point. Useful for strong tapering strokes.
Sizes: 1, 2, 3, 4, 5, 6, 8, 10

Series B24 Round Code 207 924 ...
Used mainly for touching in small areas, fine detailing and for applying well-thinned colour.
Sizes: 1, 2, 3, 4, 5, 6, 8, 10

Series B36 Short Flat Code 207 936 ...
Excellent for applying thick, creamy paint for strong stroke definition and heavy impasto work.
Sizes: 1, 2, 3, 4, 5, 6, 8, 10

Series B48 Long Flat Code 207 948 ...
The extra bristle length enables the brush to hold more colour and give a longer stroke.
Sizes: 1, 2, 3, 4, 5, 6, 8, 10, 12

Series B84 Fan Code 207 984 ...
Perfect for subtle, gentle effects by blending wet colours into one another.
Sizes: 2, 4, 6

Ristle White Brush Wallets
Bristlewhite Selection Code 207 901 002 (UK only)
2 Round / 1, 4, 8 Short Flat / 6 Long Flat

Bristlewhite Classic Code 207 901 000 (UK) / 207 901 100 (Europe)
4 Round (2 Sable) / 4 Short Flat / 8 Long Flat

Georgian Oil Brushes : Oil painting calls for resilient, durable and sturdy hog bristle brushes that have good colour retention and are easy to use. Georgian brushes have extra-fine quality Chungking bristle with a high percentage of natural flags for maximum colour-holding and smooth flexible strokes.

They are handmade using traditional interlocked construction for durability and control. Sized from 1 upwards they come in a variety of head shapes for different strokes.

G12 Filbert Code 273 012 ...
Curving gently towards a point for soft-edged, controlled strokes. Useful for strong, tapering strokes.
Sizes: 1, 2, 4, 6, 8, 10, 12

G24 Round Code 273 024 ...
The perfect brush for touching up small areas, for detailed work and for applying well-thinned colour. Excellent for blending free-flowing colour.
Sizes: 1, 2, 3, 4, 5, 6, 8, 10, 12

G36 Short Flat (Bright) Code 273 036 ...
The perfect choice for applying thick paint for strong stroke definition, heavy impasto work and short strokes.
Sizes: 1, 2, 4, 6, 8, 10, 12, 14, 16, 18

G48 Long Flat Code 273 048 ...
Holds more colour due to its extra bristle length and gives a longer stroke. Good for glazing.
Sizes: 1, 2, 4, 6, 8, 10, 12

G84 Fan Code 273 084 ...
Used to create subtle and gentle effects, blending wet colours into one another. Ideal for stippling and dry brush effects.
Sizes: 2, 4, 6

Acrylic Colours : The versatility of acrylics is built into the formulation of the paint, giving them excellent adhesion properties that allowing the paint to stick to surfaces from concrete to wood. Acrylics have the flexibility to move with the surface, expanding and contracting while still maintaining their integrity.

Acrylic colours are classed as the "new" painting medium, as they have only been around for a few decades. Acrylics have gained in popularity over the years and are now the painting medium of choice. This is due to the plethora of application techniques, and their ability to take to virtually any surface.

Acrylic Brushes used by our artist : Rounds are the perfect brushes for touching in small areas, fine detailing and applying well-thinned colour.

Short Flats or Brights with their stiffer bristles are the perfect choice for applying thick paint, heavy impasto work and short strokes.

Filberts curve gently to a point, allowing easy control of the brush head. Great for softening edges and making strong, tapered strokes.

Fan Blenders have an attractive fan-shaped head used for subtle blending of colour, distant trees etc.

Colour brands for Acrylic used by our team :
Overall Best Acrylic Paint Brand - Liquitex.
Acrylic Paint Set - Winsor & Newton Galeria.
Heavy Body Acrylic For Impasto - Liquitex Heavy Body.
Pebio colour-For smoothy effect on art

Best Water Colours used on demand

• Daniel Smith | $31.15.
• Sennelier | $41.71.
• Holbein | $47.83.
• M. Graham | $67.64.
• Winsor & Newton | $72.97.
• Sennelier | $75.85.
• Winsor & Newton | $199.00.
• Rembrandt | $221.74